First use of oil painting at bamyan in afghanistan predating

Monks at the monasteries lived as hermits in small caves carved into the side of the Bamiyan cliffs.

Most of these monks embellished their caves with religious statuary and elaborate, brightly colored frescoes.

Historic documentation refers to celebrations held every year attracting numerous pilgrims and that offers were made to the monumental statues (

They were perhaps the most famous cultural landmarks of the region, and the site was listed by UNESCO as a World Heritage Site along with the surrounding cultural landscape and archaeological remains of the Bamiyan Valley. and described Bamiyan in the Da Tang Xiyu Ji as a flourishing Buddhist center "with more than ten monasteries and more than a thousand monks".

Plans for the construction of the Spring Temple Buddha were announced soon after the blowing up of the Bamiyan Buddhas and China condemned the systematic destruction of the Buddhist heritage of Afghanistan.

It is believed that the monumental Buddha sculptures were carved into the cliffs of Bamiyan between the 3rd to 6th centuries AD, while the cave complex in the east, including the 38 meter Buddha, a stupa was built in the 3rd or 4th centuries AD The 55 meter Buddha is believed to date from the 5th and 6th centuries AD.

Because Afghanistan's Buddhist population no longer exists, and the statues were no longer worshipped, he added: "The government considers the Bamiyan statues as an example of a potential major source of income for Afghanistan from international visitors.

Bamiyan lies on the Silk Road, which runs through the Hindu Kush mountain region, in the Bamiyan Valley.

This coating, practically all of which wore away long ago, was painted to enhance the expressions of the faces, hands, and folds of the robes; the larger one was painted carmine red and the smaller one was painted multiple colors.

The lower parts of the statues' arms were constructed from the same mud-straw mix while supported on wooden armatures.

"They came out with a consensus that the statues were against Islam," said Jamal.

According to UNESCO Director-General Koïchiro Matsuura, a meeting of ambassadors from the 54 member states of the Organisation of the Islamic Conference (OIC) was conducted.

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